French Horn Artists

Max Pottag | Chicago Symphony, retired
1953: "The Reynolds Double French Horn is a most sensitively responding instrument and has an unusually easy-speaking upper register - so important to Horn players. Its wondrous tone quality, complete even range and sureness is noteworthy. I am using it exclusively, love it and I am happy indeed to recommend it to any French Horn player."

Bruce Houseknecht | Joliet (IL) High School, Director
1956: "These magnificent double horns in nickel silver are truly incomparable!"

James Chambers | New York Philharmonic, Soloist
1959: "During the past two years I have collaborated with Roth-Reynolds' skilled designers and French horn craftsmen in the development of a new and vastly improved Double French horn. The resulting instrument has exceeded all expectations. It combines maximum playing quality with an ease of response not generally associated with horns capable of producing such a full rich tone.

Here, at last, is an instrument fully capable of satisfying the most exacting requirements of the professional while retaining those characteristics which make it the ideal choice for the student. Today I am using the Reynolds Chambers Model Double French Horn exclusively in my symphony, ensemble and solo playing, my recording work and teaching. I enthusiastically recommend this horn for all types of playing."