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Argenta Trombones
Introduced in 1959, the Argenta model is
essentially a solid nickel-silver version of the
larger bore Contempora tenor trombone. At the time, Reynolds and Olds were the
only manufacturers with solid nickel silver
instrument models, the latter with the Opera model
trombone.
Model History |
Specifications
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1959-1961 | F.A. Reynolds | Roth-Reynolds
(Cleveland)
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Model 48 |
Bore: .520" | Bell: 8½" | Materials:
solid nickel silver (all) | Slide:
chrome-plated inner slides,
nickel-silver outer slides | Finish:
clear lacquer finish; optional
silverplate bright bell or silverplate
gold bell finish
1959 catalog: "Solid nickel
silver. This exciting new creation has already won
wide-spread acclaim amongst professional musicians
who admire its fuller more robust tone and
excellent high register. The most remarkable
trombone in any band because of its brilliant
quality and very striking appearance. Built in
large bore .520" with 8½ inch bell, slide and bell
lock. One piece light weight slide hard chrome
plated. Tone starts without effort and is easily
developed to astonishing proportions."
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1961-1963 | F.A. Reynolds/RMC (Cleveland)
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Model [TBD]
| Bore: .520" | Bell: 8½" | Materials:
solid nickel silver | Slide:
chrome-plated inner slides,
nickel-silver outer slides| Finish:
clear lacquer finish; optional
silverplate bright bell or silverplate
gold bell finish
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1964-1970 | F.A. Reynolds (Fullerton)
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Models made after 1964 are lighter
weight in construction and sound than the original
Cleveland horns. Bell and slide sections from
the different manufacturing plants do not fit perfectly
together and the slide lengths are slightly
different as well.
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Model TO-26
| Bore: .515" | Bell: 8½" | Materials:
solid nickel silver | Slide:
chrome-plated inner slides,
nickel-silver outer slides | Finish:
baked epoxy coating
1966 catalog: "Pure
nickel-silver with large bore and 8½" bell to
produce that 'big dark sound.'"
1970 catalog: "Solid
nickel-silver construction darkens and softens the
tone to produce the timbre sought by many of
today's top players. Very responsive throughout
all registers. Straight .515" bore; 8½" bell."
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1971-1979 | Reynolds (Fullerton)
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Model TO-26
| Same as Model TO-26 above (need to
confirm) | listed in 1973 price list,
but not 1977 catalog
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Notes |
Quotes
Nils Erik | "This
trombone would be ideal for a player who wants a
big bore sound in a jazz, entertainment or Latin
setting but who doesn't want to have to fill out
the sound and air volume of a Bach 42 or Conn
8/88H. The sound is big and dark but still with a
brilliant edge to it, and the tone quality is
consistent in all dynamics. It is incredibly easy
to play, very open and yet with a little bit of
resistance to help focus the sound. It is very
'economic', both when it comes to dynamics and
air."
George Henly | "[The
Argenta trombone] produces a sound that is larger
than what I get out of my King 3B-F, but,
surprisingly, the Argenta's sound is also brighter
than the 3B's, and its upper register blows and
speaks more easily. In short, this horn can really
sizzle, if pushed a little."
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